In the midst of our own Frightning Reign, which would fain be Briefer, it’s easy to assume George Saunders’ new novel-cum-fable is a direct attack on the President. But literary — and literate — folks aren’t so obvious.
In The Brief and Frightening Reign of Phil readers are dropped into Inner Horner, a country so small that only one of it’s seven inhabitants can claim physical residence at a time. The other six are shuttled into the Short Term Residency Zone, which is actually part of Outer Horner, a “vast, unlimited country.” Of course, this arrangement breeds resentment between Inner and Outer Hornerites; the former are hemmed in and envious of their neighbors’ space, while the latter view Inner Horner as a blot on the landscape, ripe for extinction.
If every age gets the leader it deserves, then Phil certainly fits the bill. After a wily power grab, he sets his sights on Inner Horner, stirring up a bandwagon of revulsion against the defenseless seven residents.
Eric Weinberger, in the New York Times Book Review, asserts that Saunders’ book is “a satire that is not only anachronistic but unnecessary, lacking immediacy and urgency.” The proposed anachronism comes from Weinberger’s overreaching claim that Phil=Hitler, and the rest of Phil’s crew are stand-ins for other members of the Nazi elite. Furthermore, Weinberg claims that the power of fable is its relationship to recognizeable and specific events and places, citing Animal Farm as his example. It seems to me that he misses the point entirely ; the strength of fable is its ability to stand as cipher for any time and place by creating a milieu that is entirely fantastical. Maybe The Brothers Grimm or Italo Calvino had political motives for publishing their collections of folktales; that intent is irrelevant today. We read them for their wide-armed embrace of human folly. High school kids don’t need to know what each animal stands for in Orwell’s book to understand the relations between them, or the intent behind the fable.
The Brief and Frightening Reign of Phil is a book about power in its rawest form, with a cast of characters composed of expanding bladders,exposed spines and, in the case of the title character, a detachable brain. It’s devastating in its simplicity and sympathy.